AIDS 2.0 by Avram Finkelstein
A member of Gran Fury on why the numbers of AIDS documentaries and gallery exhibitions are on the rise.
Even in the earliest moments of AIDS, and from deep within its swirling vortex, the outlines of its cultural meaning were detectable. Playing out as it did in the public sphere, it was impossible to overlook. So assumptions about it formed quickly in our shared spaces, and almost as immediately, they began to crystallize into canon.
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